The Advocacy of Marcel Vogel


By Jerry Snider and Richard Daab
Courtesy of Magical Blend Magazine Copyright 1986



I tell the person to breathe in, and I start an up and down motion and breathe out. Each breath is in exact synchronization to the other person's breath. As I am breathing in and out with the patient, I am thinking thoughts of well-being, love and peace. When I'm ready for the next phase, I usually say, 'Peace be to you. May your mind, heart and spirit become one.' Then, as the patient's body begins to sway and link, and lock to these vibrations, I go into the next phase - the linking phase.

"In the linking phase, I start to rotate in a right-handed spiral, synchronizing both hands. This acts like an energetic cockscrew. I tell the patient to breathe in and I go with him in his mind and heart to the area in their body that needs to be treated. I visualize the root, the cause, the source, of the discomfort they're feeling in that area. I go to the source of the trouble and focus on it. I increase the tempo of my voice and intention, and release. I close my left hand, and slap away from my body and downward with my right hand. It is in the simultaneous act of voice, intention, pulling with my left hand, and snapping with my right that I break the pattern that is locked into the bone, the tissue and the psyche of an individual. The pattern of the past is shattered. Normally I do it three times. That usually clears the entire area. Then I start the closing and healing process."

"I breathe in and see clear light and think well of myself. I breathe in again, and become at one with my body, mind, and spirit. I keep this up until I feel the patient's body totally relax. If there is a major disturbance in other parts of the body, I start the following process: I breathe in and out linking all of the charkas into a large, ovoid egg. I do this two or three times and then I come back to the thymus. I slow down, place the crystal over the thymus and bring my other hand in contact. It is the first time I actually contact the body. Now, with my hands on the patient's back, I palpitate the tissue. Normally, when this treatment has worked, the tissue is very soft and lacks vitality. As I breathe slowly in and out, thinking well of a person, I touch the tissue and as soon as the tonality of the tissue comes back, I draw my breath in, hold, and release; and the job is done."

"Most important, I think, for the tonality of the treatment is a final expression of love. I give the person a big hug, and say, "You're a wonderful person. I give you my love."

To treat yourself with a crystal, Vogel advises holding one tip with the left hand, and the other tip with the right hand, aligning one face up so that you can look directly into it. Take a deep breath, pulse your breath through the nostrils, and rotate successively to each pair of faces. According to Vogel, "This gives a movement of charge, building a balance of the force within the body. It is the start of body balancing." While holding the crystal, take a deep breath, close your eyes, see the pyramidal tip of the crystal and slowly let your breath out. While holding the image of the crystal in your mind, draw in your breath, imaging that breathe as coming through the crystal. Now, mentally move from the crystal to the area of your body that you wish to treat, and visualize it. When you make contact with an area needing attention you will find that your hand will begin to oscillate. At this point you may intuit the proper course of action with which to proceed.








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